Department of Wonder and Play - Artist Spotlight: Rosa Thorlby

Last year we worked with 18 brilliant disabled creatives on our Young Artist Development Programme (YADP). Their work is featured in a new zine called “Department for Wonder and Play”, more about this here. In addition to the digital and physical publication, we’re going to spotlight each artist on the blog so you can get a deeper insight into their work and process. Over to Rosa to talk about their Radical Compost Generation Device.

My name is Rosa. I am an autistic multi-disciplinary creative and quiet activist. I am a quiet activist because traditional activist spaces are often inaccessible to me, and I firmly believe that quieter forms of activism – such as inclusive, transdisciplinary storytelling and sowing the seeds of radical imagination – are deeply important in dismantling current systems of oppression.

Through my work, I seek to gently decompose and playfully question dominant socio-ecological narratives, creating spaces to exchange stories with overlooked, marginalised and excluded people. I aim to use my work as a means of inviting people into a quietly radical creative corner, rather than holding up a picture for them to look at from a distance. I am interested in how artwork can give people tools to grow, play and dream, and in the role of the artist as a compost heap – decomposing ideas to create common ground for new ideas to sprout.

I have loved making paper models and toys since I was little, the kind you print out and fold. I especially like ones that move. I tried to imagine what sort of tools the Department for Wonder and Play would produce and what they might be used for. What might a tool for generating and imagining new worlds and possibilities look like? I am also really excited about soil ecology and compost, and how the weird and wonderful world of decomposition and decay is necessary for all life to grow and flourish.

A page showing various white bubbles of handwritten text amidst a digitally illustrated compost heap. Different creatures and living things like slugs, mushrooms, microbial beings and worms are overlaid onto the image, giving it a collage-like effect. The page is titled ‘Make your own multisensory microbial radical compost generation device’. The text explains the device, and answers some questions. The world is often made to seem as if there isn’t a scrap of wonder or a tickling of play and if there is they are unimportant, unproductive and only accessible to certain people. This is particularly the case according to white supremacist, capitalist patriarchy. But wonder and play are not only important, they are extremely vital to dismantling systems of oppression, and imagining, growing and practicing liberated futures in which all beings have a space to flourish. What exactly is a radical compost generation device? A symbiotic tool for collecting and decomposing material to make radical compost with which we can grow and sow wonder-filled, playful, liberated futures. Why multisensory? Well, we’ve found that there is a societal tendency to prioritise certain ways of being in and engaging with the world over others, which excludes many of us. And wonder and play are embodied and experienced in many different ways. Why microbial? Well, microbes are very old and very wise and as our wretched-of-the-earth comrades, they and their fellow compost co-conspirators are essential to the process of composting. The text on the second page explains a bit about the composting process. In order to begin, we must first collect some material. Composting usually requires a mixture of nitrogen-rich (green) material and carbon-rich (brown) material. However, the microbes’ radical compost generation device is slightly different. There’s a section titled ‘greens’ where lots of words are written in green. The text in the green section reads: The green material are all the multitudes of ways we might sense and experience of wonder and play: taste, touch, groove, rhythm, smell, sound, move, listen, smell, shape, time, see. How do you sense and experience wonder and play? Also in the green section is a snail, who is saying I am a snail and I find time slimy. On the opposite side to the snail is a worm in front of some spaghetti, who is saying I am a worm and I find spaghetti very wonderful. There’s a section titled ‘browns’ where lots of words are written in brown. The text in the brown section reads: The brown materials are the structures, systems and injustices that inhibit wonder and play. The microbes have collected some below, and invite you to reflect on the ways wonder and play are inhibited for you and those in your communities: patriarchy, school, loss of community, financial insecurity, ableism, borders, white supremacy, scarcity of care, pollution, lack of access to nature, stairs, land dispossession, hierarchy, capitalism, the gender binary, health injustice, capitalism, the carceral state, colonialism, food insecurity, lawn mowers, privatisation.
This page shows a radical compost generation device, and instructions on how to make it. The device is formatted like a paper fortune teller game, which can be folded into an origami shape with different openable flaps. The fortune teller game is square, and has brown and green sections each numbered 1 - 8. There are eight types of illustrated creatures on the fortune teller: mycelium, mite, protozoa, bacteria, rotifer, nematode, actinomycetes, springtail. Written challenges are also on the fortune teller - like ‘compost’, ‘grow’, ‘write or draw a dance for a manifesto’, ‘look at or listen to your surroundings’, ‘use your green to make a map’. The instructions for the radical compost device read: 1. Cut around the perimeter and fold your device according to the video. Always be kind to your scissors. 2. Choose 8 greens and 8 browns and number them from 1 to 8. For example - greens might be numbered into taste, groove and rhythm, light, sound, electrical frequencies, smell, shape and texture. Browns might be numbered into capitalism, fungicides, heteronormativity, patriarchy, neoliberalism, white supremacy, colonialism and tidiness. 3. Watch the video to see how to use your radical compost generation device to select one green and one brown, and then generate a prompt. 4. Compost! Use the generated prompt to make radical compost and see what grows. You can interpret the prompt however you like. Maybe your radical compost grows a drawing, a story, a song, a new flavour of ice cream, a dream garden, a dance, a mutual aid network of flowers and pollinators, a public transport system modelled on spaghetti and playfulness, an immigration policy according to migratory birds, a recipe for food sovereignty written by seeds, a manifesto of decolonised smells.

For this project I also drew upon the work of Audre Lorde, Ruth Wilson Gilmore, earthworms and lots of microorganisms. In particular, I thought about Audre Lorde’s suggestion that “the master’s tools will never dismantle the master’s house” and Ruth Wilson Gilmore’s idea that “freedom is a place, and we make it, and we make it, and we make it”. All of these elements wandered and wriggled together to make a Radical Compost Generation Device.

I am a bit like a creative compost heap in the way I work. I love collecting images, ideas, sensory materials and processes, decomposing them and then recomposing them to make my work. For example, some of the microbes in my piece are collaged from pictures of mushrooms I found in a newspaper. The slug is a photograph of a slug called Claude who I made from clay, and who lives on a shelf in my bedroom. The snail is a photograph of a snail who decided to climb up my kitchen window. The soil and compost in my artwork is made from collaged photos of the soil and compost I have been making in our garden. So, this piece was a multispecies collaboration – all the microorganisms and fungi and earthworms and snails who share the garden also contributed to the zine.

This project is messy and unfinished. As a creative, I am always trying to unlearn and ask questions. Nothing in nature is ever “finished” or static or fixed – things are always changing, growing, decaying and mutating in endless cycles, all at different times and speeds. I am trying to approach my creative work like this too and question the tendency toward a perfect and final finished piece, produced as efficiently and quickly as possible. This is especially crucial for disabled artists, because our ways of being, processing and making, in our space and time, are not always honoured or respected.

It has been a privilege to work with Touretteshero, who have been especially good at reminding me to do my creative compost making in my own space and time.
One of my favourite facts about soil: a teaspoon of healthy soil contains more living organisms than there are humans on the planet.

Thanks so much to Rosa, and to all the dirt and organisms that contributed to this piece for the zine! You can download and print their Radical Compost Generation Device here.

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